One of my favorite things to stamp with is Art Foamies! They can be used on a multitude of substrates from Fabric to paper and produce clear crisp images. Paint, ink and everything between can be used on them as well. Clean up is a breeze too! You just need a little soapy water.
Here are a few projects I have used them on.
Another great feature of Art Foamies is you don’t need a special block to stamp them. Rita Barakat has some really great ones! I love her Blooms and Cloud! Go check her website out for more great ideas!
I created some pretty awesome textured backgrounds with stencils recently and wanted to use them, so I created three tags! To create the backgrounds I used Colorburst and modeling paste over a stencil. You can see how here:
After I die cut the tags I added my stamped Rita Barakat images to create these:
I used alcohol markers for the skin and hair. Here is how you can use copic markers to create skin tones and hair!
For each tag I added a little glitter and glitter drops to finish them off!
These tags were created for a swap! I am super happy with how they turned out!
Paper dolls and fairies have always been a fascination of mine. I loved playing with them as a child and as an adult I have adapted them into my craft. Some of my favorite pieces have been created with Rita Barakat Maigical Theater book.
This was my very first project I created with it. It still is my favorite!
This is a post I have wanted to do for a long time. It’s not exactly arts and crafts, but it is creative and will help anyone who wants to showcase their projects online in the most eye pleasing way. Please use the information I am about to share with you as you see fit and evolve it into what works for you. I am a bright colorful crafter and I like my photos to reflect that. If you prefer muted tones you may need to modify these suggestions with a clean and crisp approach.
In conjunction with this post, I am participating in a collaboration between Plaid and Rita Barakat. Plaid is used in preparing my frames for my photos. Rita Barakat is used as the product feature in the examples.
Playing it Safe — A White Background
A white background is always the safest route to go and I rarely veer from it. It reflects light beautifully and makes your project pop. I use two pieces of white cardboard that I found at the dollar tree. This two dollar shadow box works better than the one I spent over $100 on years ago.
Three Rules to Photo By
Always take your photo in natural light. I use a window with the curtain drawn on the back of my house out of direct sunlight. Artificial light and/or direct sunlight can wash your project out.
Use a white background facing your light source to bounce the light off of and land on your staged photo set. Whatever your light is bouncing off of is the tint your picture is going to have. This is why I set up a poster board not only under my project, but behind it too. What your light is bouncing off of, is more important that what is under your project and seen in your picture. If you want to use a different substrate other than white go for it — just make sure your light is bouncing on something white in the back drop.
Turn your flash off. If you take the picture and it comes out a little dark, it is better to add a back light in your camera app than putting the flash on.
Take It To The Next Level -Frame It!
Now it is time to add more visual appeal to your project photos by utilizing frames. There is no need to drop a lot of money on this. You can find frames perfect for this at the goodwill. Use them as is, or sand them down and paint them. The frame should reflect your style. Not only do frames add interest to your project they also draw the eye to the focal point — your project.
I decided to use the following as frames for my photos and customize them with paint.
I like these pieces because I can showcase both my project and the products I use in one picture. I also painted them according to my style. I use a lot of blue in my art. Yellow is my favorite color. Gold is great for the holidays and Fall and Winter. Black is a great way to ground a picture. I chose to paint the four nesting squares those colors. The shutter is also a wonderful back drop in a picture that can frame a project. I went with a shabby chic vibe on it and will share more on that later.
How To Use Frames
Now is the fun part — using the frames in your photos. Here are a few examples of how I used the nesting square set to showcase Rita Barakat dies.
In the above examples I am focusing on just the die cuts. I start off with one frame and get more creative as each picture progressed. Do you see how the focus always stayed on the die cuts?
The black solid backdrop is a wonderful element to make the die cut stand out.
To feature both project and products used to create the piece (these are the colors and brush colors I used on my frames) is easy to achieve in one photo when using frames.
You can showcase several pieces of art and the products in one picture by using different sized frames.
Don’t be afraid to stack the frames for visual interest. Have fun with it and let your creativity soar!
Using A Shutter As A Frame
Basically all a frame is for is to draw the eye to the focal point of the picture. You can create frames without using them. I love this shutter I found through Plaid. I wanted it shabby chic in a beautiful sea foam color. To create this style first paint the shutter white. Let it dry and paint it seafoam. Sand the edges to distress it and the white pop through.
You can place your project on top of the shutters for a flat lay photo.
However, I much prefer taking the picture at an angle.
This is a great example of how to take a picture on something other than a white background. The reason this works is because I have a white poster board propped up behind it reflecting the light from my not so direct sunlight window.
There are three examples on how to stage a photo with the same materials.
How To Edit a Photo
This is tricky because it really all depends on what you like and your style. I usually amp up the backlight, add a touch of saturation and a tad of sharpness. Though recently I have discovered “presets” that you can purchase for a few dollars from professional photographers on Etsy. Basically you need to down load the Adobe Light Room App on your phone for free and add the purchased preset. Each purchase I have made came with clear instructions that were easy to follow. I suggest searching “presets” on Etsy and buy one that catches your eye.
Always always ALWAYS watermark your photos! The bottom right corner is where I like to put mine because they are usually square. I do it in a way that if someone actually has the audacity to steal my photo and chop it off it looks different, thus making it easy to legally prove it is mine.
Also, a lot of people will browse your posts and only pay attention to the picture. It is nice to let them know your name. They can enter your name into a search engine to find more by you and possibly follow you on your creative journey. Companies also like to re share photos and if your watermark is not on the picture when it gets to their platforms no one is going to know who created it. You worked hard on your project, you should get the credit for it — especially if the company is not paying you.
In addition, never give a company a photo without a watermark — even if they ask for it. You will be asked! A lot of times in the past I have happily sent it to them. Now I am seeing my art work pop up on company sites, helping them sell product and I have nothing in return for it. Now, if they want to buy a picture from you, you should consider that for the right price. Think about how long it took you to take the picture (your time). How much did you have to spend to stage it? Did you hire anyone to help? Add that all up and double it. That is a good starting point.
Lastly, I never sell a photo if I can’t use it with my Watermark on my sites. It really does them no good to limit this because by me sharing it is free advertising for them.
Take everything I just stated and morph it into your style. Use this as food for thought. We all are different and have different view points. What makes art so incredible is that nothing is wrong. You just want to make sure you are showcasing it in a way that does your piece justice and stays true to you!
I certainly hope you found this post useful. I must confess that I worked super hard on it for several months and had a blast. Will you consider subscribing to my blog and sharing this with anyone you think would find it helpful? Thank you so much for doing so!
Stamping images is fun. Coloring them in is not. At least that is the case in my craft room. Coloring is one of my least favorite things about crafting. There I said it. I don’t like to color. It is a necessary evil in my world. With that being said I have learned a few tips over the years to help get me through it and from time to time I do enjoy it.
I created this tutorial for the Rise and Shine Facebook group on how to color skin and black hair. You can watch it here.
I created a few tags with this process. Here are the pictures:
The tags were created from backgrounds I made.
For each image on the tags I added glitter glue to the hair and a little liquid glass to the eyess
These are some of my favorite images to color. They are Rita Barakat stamps from Technique Junkies. They are deep etched and give a nice sharp image. Make sure you check out her website for more inspiration!
A few years ago I ran across a black art journal and just had to have it. I liked it because it was different. Once I got it home I played in it a few times and then set it down. This was not intentional. I had every aspiration to use the entire thing, but I started to draw a blank on what to do in it.
That all changed when Faber-Castell sent me a box of goodies to use for a hop with Rita Barakat. One of the products they sent me were gelatos. I knew I had to try them in my art journal! They also sent WHITE pens! To my delight they work beautifully on black paper.
The Details Behind the Art
To create this page I used this stencil by Rita Barakat and attached the lines with the white pen by Faber-Castell. To color in the image I used a few different techniques with the gelatos. It was fun to see how different the colors interacted with the dark paper versus white paper.
Flowers are pretty and they smell heavenly, but I have a black thumb and have a hard time keeping them alive. As a kid my Dad used to have me pull the weeds that grew up in the cracks of his driveway. I never understood how they would repeatedly come back with no water, constantly getting run over by cars and not to mention the pavement that was on them.
As I grew older I started to respect the weeds more so than the flowers. Flowers are fragile and sensitive. Weeds are stubborn and persistent. If a rose does not bloom it requires a change of environment. Weeds just grow. Pull them out by their roots and burn them. Chances are they are going to grow back. I want to be a weed!
Be A Weed — Not A Flower
In a field of flowers I want to be the weed that blooms where ever it pleases regardless of the conditions. I had to document it in my art journal and reflect on it when life gets tough — and life always will have hard times.
For the sentiment, I wrote it on a piece of Tissue Paper. I did a white wash with Gesso and water in the spot the sentiment would go. Once it dried, I used Collage medium to adhere it. By doing so it allowed the background to pop through and blending in nicely.
Hello Friends! Recently I participated in a blog hop with Rita Barakat and Faber-Castell. One of the project kits Faber-Castell sent was to create cards with water color pencils. I have had this set of die cuts for awhile. I think I have been hoarding them just waiting for the right time to use them. The time has come!
I wish I could tell you how to make these cards, but the technique box did a wonderful job of teaching! Basically each card was created with a stencil and water color pencils. I first traced the stencil, colored it in and ran a wet paint brush over the image. I added a few embellishments from a Queen and Co trunk I recently unboxed here:
Here are the close ups of each card:
Normally I am not an advocate for hoarding craft supplies, but in this case it paid off! I could not think of a better way to use these sweet Rita Barakat die cuts. The moral of the post is: If it is pretty just buy it 😉
Aladine is a wonderful French company that specializes in different mediums. They have mists, ink, pigment, texture paste and glitter paint! I first saw them at Creativation 2019 demoing the glitter paint.
I tried researching more on the products they carry, but came up with nothing. When I was asked to participate in this collaboration between Aladine and Rita Barakat I jumped at it! I spent days playing with everything they sent me and put together an extensive video on it all here:
Plenty of Fish
With all those lovely samples made during the video I created this in my art journal:
For the background I used the pigment ink, water and stencil brush to cover the background. I misted a bubble stencil over the page and finally added some more bubbles with the texture paste. I created a trail of bubbles with the sample sheets created on the video. The mermaid was colored with the liquid pigment and rubbing alcohol. The sentiment has been rolling around in my head for quite some time. I am so happy to finally have it documented.
Make sure you hop through to the other designers to see their projects. Leave comments along the way for more chances to win!
First, I used a transfer on the top and stamped the flowers starting from one corner up to the next.
The green stamped image is actually a flower center as well as the pink faces.
To set the ink a hot ironed is pressed on to each image. The setting process takes about 20 minutes. This apron is for crafting and will only get better with age. All the mists and paint drops that are going to make their way onto it will be lovely!